Naiza Khan
About:
Naiza Khan’s visual practice encompasses art making, teaching, curation and writing. Khan trained at the Ruskin School of Art, University of Oxford and completed her MA at the Centre for Research Architecture, Goldsmiths, London (2020). Through a variety of mediums such as drawing, film and sculpture, she employs a research-driven, mapping-based approach to explore ecologies, colonial history, collective memory and their entanglement.
In recognition of her initiatives in art and culture, Khan received the Prince Claus Award in 2013. Recent exhibitions include Unruly Edges, Rossi & Rossi Hong Kong, 2024 (forthcoming), Sharjah Biennial 15: Thinking Historically in the Present; 14th Gwangju Biennale: Soft and Weak like Water, (2023). In 2019 Khan represented Pakistan at the 58th Venice Biennale with the solo project, Manora Field Notes.
Naiza Khan’s visual practice encompasses art making, teaching, curation and writing. Khan trained at the Ruskin School of Art, University of Oxford and completed her MA at the Centre for Research Architecture, Goldsmiths, London (2020). Through a variety of mediums such as drawing, film and sculpture, she employs a research-driven, mapping-based approach to explore ecologies, colonial history, collective memory and their entanglement.
In recognition of her initiatives in art and culture, Khan received the Prince Claus Award in 2013. Recent exhibitions include Unruly Edges, Rossi & Rossi Hong Kong, 2024 (forthcoming), Sharjah Biennial 15: Thinking Historically in the Present; 14th Gwangju Biennale: Soft and Weak like Water, (2023). In 2019 Khan represented Pakistan at the 58th Venice Biennale with the solo project, Manora Field Notes.